If you're looking to deepen your understanding of this topic, you might want to read our article on 5+ BEST Turkish Musical Instruments + How They Are Played now. Playing tracks by. When the movie Teenage Mutant Ninja Turtles came out, you heard the soundtrack on MIX JAMZ. Throughout the 90s, he continued producing remixes of popular songs by artists such as Diana Ross and the Pet Shop Boys. That arrangement ended on April 15, 2009, when KMVN flipped to a Spanish format under a LMA with Grupo Radio Centro of Mexico City. Second, Id like to say that much of my disco days were spent listening to Paco, Rosco, Al Bandiero, Carlos DeJesus and company at 92 KTU NY. I went to Milwaukee to work for Greg Ausham at QFM in Feb 87internal problems caused him to cross the street and SIX of us followed him to LZR in Nov 87 WRBQ (Q105) Tampas response to Power Pig WFLZ, in retrospect, looks pretty typical a few months of refusing to budge followed by a period of overreaction. He is anEnglishDj and producer specializing in the genres of House and UK garage music. WPGC vs WKYS was a pretty good one for a while until the market became saturated. Just ask Bruce, Bono, Billy, Phil, Mike and Keith, Steven and Joe, Robert Plant (you name it) where they went to break a record in America..For the record! This producer/DJ is a freaking BEAST! The melody is the tune or pitch of your lyrics when you sing. I wasn't expecting something so great at such reasonable price! Only one of those stations remains in the rock format today. I left in the late Summer of 86 and the battle intensified after that, getting so ugly that it eventually went to court. He dropped to position 58 in 1998 and ended the decade at position 70 in 1999. Danny Rampling began his career in the early 1980s. I now go back to my grind of production and night show dream that I had hoped to pursue at the above mentioned stations because they each (Real Deal, D.C. Taylor and J.J. Stone) seemed like they were having too much fun! You then had WMMR put it back together in the mid 2000s while WYSP currently struggles to find its way back. KIBB flips to KCMG, thus forcing KPWR to drop all the Rhythmic oldie titles. These mixes were spun by my personal favorite dj on the station at the time, DJ Enrie. His other singles include "Two Paintings and A Drum," released in 1995 byEdel UK Records. Tong Began his evening show "Essential Selection" in January 1991. Especially having my memory jogged on how many of those battles I was fortunate enuf to be part of the teams. This move brought the R&B/hip hop format back to that frequency for the first time since iHeartMedia's predecessor Clear Channel sold "The Beat" R&B/hip hop format and intellectual property to Radio One, who then moved it to the 100.3 FM signal in 2000. That was an awesome feat, but not quite enough to overtake them. "TuneIn adds Entercom, Cox, Emmis stations to tuning service". With a demo track, you have a track to sing along with when you record your vocals in the studio. Your beat will set the vibe and structure of your song. Dj EZ (pronounced 'DJ EEE ZED') is one of the earliest proponents of garage music. It rivals KMEL/KYLD The WHYT/WDFX battle was fun to listen to (for this non-industry type). They also developed Power's live mixing " World Famous Roll Call ". Power 106's Wax Only series has examined the samples behind 2Pac's second studio album, Strictly 4 My N.I.G.G.A.Z.The project, which is celebrating its 25-year anniversary today, is considered by many as Pac's breakout album. One WDFX liner from this period invited listeners to take The Hit Music Challenge If you want Cozy music and a whole lot of talk, punch 95.5. Their 1996 hit song Crossroads held the spot No. During the short time Joey Reynolds was WHYTs morning host in 1984, he poked a lot of fun at 95.5 (which he called Xerox FM referring to their supposedly copying 96.3s format) and and Dick Purtan. 1986-WCBSFM vs. WNSR (Mix 105) when WNSR came on the scene, they were practically nose-to-nose in terms of their playlist if nothing else, NSR was shooting for the same demo that WCBSFM wasbut one BIG difference though personality radio STILL ruled back then, and WCBSFM had the EDGE thereadvantage 101FM!! Seller has the most incredible beat I have ever heard. WUSL vs WPHI urban battles of the late 90s January 1988 Charlotte, NC when the Beasley Broadcast Group owned WLIT became WCKZ KISS 102 as we started the Churban format, modeled after DCs WPGC and we started kicking WPEGs Urban butts! My most familiar memory of the time was the personalities that had a life of their own. * KZZP, KKFR (Power 92) and KOY-FM (Y95) Phoenix from the same time; FILs superior signal and lower frequency made it the station of choice. On August 17, 2006, KPWR's country music sister station KZLA flipped directions to rhythmic adult contemporary as "Movin' 93.9". But, staff camaraderie and focus was the beneficiary. The two DJs specialized in the genres of Progressive house, deep house, and techno. WMET (Metromedia) vs. WLUP (Heftel) Chicago. Tom, just wanted to say I loved PXY growing up in Syracuse (yes, the signal made it that far!). KUPL vs. KWJJ (1993 present) Its been a back-and-forth battle since the first time JJ knocked off KUPL in 93. WPGC vs Q107 llate 70s -early 80s There were three at the time: Pollack consulted WYSP, WIOQ with Alex Demers, and the mighty 99.3 WMMR where we had an all-star cast which also included consultants Lee Abrams, George Harris and Ted Bolton. And for much of the 80s and 90s, the Traverse City, MI market had its own hot CHR battle between WKHQ (106 KHQ) at 105.9 and WKPK (106.7 The Peak). He also released dubnobasswithmyheadman" in 1994 and "Second Toughest in the Infants" and "Beaucoup Fish" in the years 1996 and 1999 in the techno band Underworld. Here in Minneapolis KS95 beat WCCO 12+ in a Mediastat. Sean, How about the huge AOR battle in Rochester WCMF v. Bruce Kelly In 1998, he dropped a position which he maintained in the following year 1999. The station was #1 in every demo 12-54 in every daypart by the end of the first yearwith a 9.3 12+. Y94 being very promotionally active showing up at Qs events/remotes etc.. On air battle with free money Contests-each station literally monitoring when the other would be in a stop set, and 93Q running liners talking about Y94 being in commercials but 93Q playing music That was fun! On January 11, 1986 at 6 p.m., KMGG dropped its adult contemporary format and became the first-ever rhythmic contemporary-formatted radio station with new call sign KPWR and branding "Power 106". Its the reason Im in this biz! Sasha released the "Global Underworld 009: San Francisco" while John Digweed released the "Global Underworld 006: Sidney." Early 80s WPGC vs. Q107 APD/PM drive on The Pig KKRD ended up killing KEYN from 86 89 when KEYN went Oldies. [9][10], During an on-air interview on KPWR on November 3, 2015, singer/actress Ariana Grande criticized DJs Eric D-lux and Justin Credible over questions that she claimed were sexist, telling them, "You need a little brushing up on equality."[11]. WAMO (Hot 106 J.J. Stone at night where i get my JJ from) WBZZ B94 (The Real Deal Mike Neal - aaaaaannnnd were offf (signature Hot 8 at 8 kickoff) WMXP ( D.C. Taylor at Night yeidy yeidyguess whats down my pants) 92 to Jan 1, 1993 (the day that Mix Jamz died and became K-Garth 100 point 7) I was looking for WSNY vs WNCI in the early 80s. Also during this time, Power 106 FM in Los Angeles was a STRICTLY hip hop and R&B station, they never deviated from that playlist (even in their mixshows) so this mix was quite a shock to their regular listeners. News. Early 80s for about 3 years until WmJQ went chr. 2) WCBSFM and the SEVERAL attempts by OTHER radio stations to knock it off the top of its perchoh, if ratings could talk these would tell an interesting story, to say the least But Im still interested in hearing your thoughts on all eras. The rest is history, including the demise of Top 40 AM. He's the house DJ's favourite house producer and recent remixes from Honey Dijon and an incoming Josh Wink remix both attest to that. This show was . Meruelo acquired KPWR from Emmis Communications for $82.75 million in May 2017, officially bringing the station under common ownership with KDAY, KDEY-FM, KWHY-TV, and KBEH on August 1, 2017. after about the late s[ring of 1981 the battle of wbls and then upstart wxlo 99 took a major turn into wxlos favor, and that was because by the mid spring of 81 barry mayo was able to get shep pettibone to join wxlo on the condition that shep would be gven credit for his mixes and give shep the exposure that frankie crocker didnt give him on wbls, by the late spring of 1981 the mixes heard on wbls like empress dyin to be dancin, all of a sudden shifted to being heard on wxlo, some had the call letters of wbls taken out of them, but the term mastermix. appeared on them, that was a term barry mayo told shep he should use on his mixes, the rest is history, by 1982 wxlo was already changed to kiss fm and by that time the younger nyc youth shifted to kiss forcing niecey colon MD over at wbls to take input from her 14 year old daughter to bring a young man to wbls who was doing late night time leased radio, by the name of mr magic, kiss had already began incorporating hip hop into its playlistbut still throughout the decade of the 80s wbls could not get kiss off its back. 92.3 THE BEAT THEO DJ QUIK EAZY POWER 106 In The 90s Dusty Vision TV - DVTV 36.7K subscribers Subscribe 152 3.2K views 5 months ago 92.3 THE BEAT / POWER 106 In The 90s - DUSTY VISION. Of course some of the earliest battles I remember which got me interested in radio in the first place, were the WABC, WMCA, and WWDJ(97DJ) battles. Plus one of those so called competitors did NOT subscribe to ARB so they never really competed period. I also associate Power 96 in the 90s with popular hot spots from which they would broadcast, like the Bakery Centre, Six Flags Atlantis, Hot Wheels, The Fair . The biggest was WCFL -WLS the most intense was WFIL-WIBG the ,most polite CFTR-CHUM. Ten Great Radio Battles Of The 80s and Early 90s, https://www.edisonresearch.com/wp-content/uploads/2009/04/boom-box.jpg, http://www.edisonresearch.com/wp-content/uploads/2014/06/edison-logo-300x137.jpg, Ten Great Radio Battles Of The '80s and Early '90s. . You can email the site owner to let them know you were blocked. 7) Country KILT vs. KIKK-FM Houston throughout the 80s At a time when Country was finding its place on FM with a very AC-like presentation, the Houston stations at least enlivened it with great voices and great competitive marketing. My personal fave is the AOR battle in San Francisco in 1982 when we signed on KFOG to become the fourth rock station in the market with KMEL, KRQR, and KQAK already established ahead of us. After splitting with the Housemartins, Fatboy Slim formed the electronic band Beats International. Good article, but since the focus was RELATIVELY narrow, I thought Id throw in one or two of my own that a LOT of people barely even remember But if you want the best mix with ten songs in a row, lock it in and rip the knob off 99.5 The Fox. WCZY was usually the highest-rated of the three 12+ but that was largely due to Purtan, and it was WHYT and WJLB that dominated the 12-24 numbers. [7] KXOL would eventually exit the format on May 16, 2014 to return to Spanish AC as "Mega 96.3" after nine years and moderate to underperformed ratings.[8]. WFLZ vs. Q105 is definitely the most top of mind radio battle. 5) Torontos AM Top 40 battle of the early 80s Its still a touchstone for most Canadian broadcasters today. You forgot about the CHR battle in San Francisco between KYLD(WiLD 94-9) and KZQZ(Z95.7) in the late 1990s-early 2000s. I-95 vs. Y-100.I-95 is a station I grew up with in Elementary School and for the 5 years it was on the air, got an unbelievable amount of traction in Miami..Not to mention it broke alot of musicFreestyle, Madonna, Miami Sound Machine, wowThe memories..I was fortunate to do a brief P/T stint on air during its last months as Zeta in 2004-2005. [16] This would become a major issue in the music trades after the station ascended to the top spot in the Los Angeles Arbitron ratings, where both Billboard and Radio & Records had debated as to what reporting panel it would place KPWR (as well as other stations that were using the same formula), which in turn resulted in Billboard launching a Crossover chart and Radio & Records creating a CHR P1A subcategory in 1987. 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